Process is a design studio based in Vienna, specializing in generative and interactive design and working in the fields of branding, web, installation and print. As well as traditional graphic design solutions, Process designs and develops highly specialized software that is used as tools for and by clients.
Participated multiple times in Google’s Summer of Code working on further development of the Processing programming language and was guest artist and researcher for Motion Bank in Frankfurt. He taught courses including Introduction to Programming, Physical Computing with Arduino and Generative Graphic Design for Printmaking at the University of Applied Arts Vienna and tutored courses including Data-modelling, Database systems, Distributed Systems and Semi-structured Data at the Vienna University of Technology.
Martin Grödl holds a Master’s degree from the University of Applied Arts Vienna (Institute of Fine Arts and Media Art) and a Bachelor’s degree from Vienna University of Technology (Institute for Interactive Media Systems).
His work has been featured in WEAVE magazine, Motion Bank: Starting Points & Aspirations and others.
Works at the intersection of graphic design and software development. He is interested in the creation of new visual tools for artistic exploration and in how an experimental approach can influence and inform the design process.
Previously to co-founding Process, Resl worked for Sagmeister & Walsh in New York City, where he designed for clients like Adobe and The Jewish Museum in Manhattan. Resl’s array of clients includes the MIT, The Prodigy, Design Museum Holon, Royal Museums of Fine Arts of Belgium, Raiffeisenbank and Wienerberger.
Moritz Resl holds Master’s degrees from the University of Applied Arts Vienna (Institute of Fine Arts and Media Art) and from the Vienna University of Technology (Institute for Design and Assessment of Technology).
His work has won international awards including Type Directors Club, ARC and LACP Vision awards. He has been featured in design publications like Dezeen, The Type Directors Club Annual, Gizmodo and The New York Times among others.
CLIENTS AND REFERENCES
We have worked for and with a wide range of clients and studios including cultural institutions, universities, advertising agencies, music labels as well as individual artists and musicians.
- Austrian Museum of Applied Arts (MAK Wien)
- Ars Electronica Future Lab
- Brainds, Marken und Design GmbH
- Design Museum Holon, Israel
- The Jewish Museum New York
- Festspielhaus St. Pölten
- Fiat Chrysler Automobiles Austria
- Massachusetts Institute of Technology, MIT School of Science
- Motion Bank (The Forsythe Company)
- muehlhausmoers, Berlin
- NEW DESIGN UNIVERSITY
- OFFF Vienna
- The Prodigy
- Processing Foundation (funded by Google)
- Raiffeisen Bank
- Reichl und Partner Werbeagentur
- The Royal Museums of Fine Arts of Belgium
- Sagmeister & Walsh
- SUS Records Brooklyn, NY
- TÜV Süd
- University of Applied Arts Vienna (Die Angewandte)
- Upstatement (Boston, USA)
- VIENNA DESIGN WEEK
- Vienna University of Technology (TU Wien)
- Wienerberger AG
- Zurich University of the Arts
Geschäftsbericht zwischen Infografik und Abstraktion (German Article) — PAGE Online
Wie kunstvoll und cool sich Wissenschaft auch präsentieren kann (German Article) — PAGE Online
Galaktische Identity, die 777 Arbeiten in Planeten verwandelt (German Article) — PAGE Online
Creative Industries Austria: Process Studio im Porträt (German Article) — The Gap
Studio Portrait: Read about who we are, what we do, where we draw inspiration from (German Article) — PAGE Online
Ist das ein Kunstwerk oder eine Infografik? Generative Artworks im Annual Report — PAGE Online
Raw energy production data gets visualized in a stunning and responsive display — PSFK
Digital Animated Visual Installation in Vienna — FUBIZ
Wie man Energieverbrauch in ein generatives Artwork verwandeln kann — PAGE Online
Traffic to nowhere (Interview Moritz Resl) — Design made in Austria
The Average Font combines hundreds of characters into a single typeface — Dezeen
Our projects have furthermore been recognized and featured on Dezeen, Gizmodo, The New York Times, FastCo. Design, The Fox Is Black, The Verge, Weave, Kottke, Design Milk, SWISS MISS, Design Taxi, BoingBoing and ELLE among others.
IADA Awards 2018, London
International ARC Awards 2018
3x Bronze, 1x Honors, New York
LACP Worldwide Vision Awards 2018
Gold Winner Worldwide
Top 100 Reports Worldwide
Best Report Cover EMEA Region
Top Report Austria
Top 80 Reports EMEA Region
International ARC Awards 2017
1x Gold, 2x Bronze, New York
Austrian Sustainability Reporting Award 2017
1st Place, Vienna
LACP Worldwide Vision Awards 2016
Gold Winner Worldwide
Type Directors Club 2015
Certificate of Typographic Excellence, New York
Webby Award 2015
Cultural Institutions, New York
4.–5. October 2019
Halle E, Museumsquartier
4.–6. April 2019
3. December 2018
On Data and Design
8. November 2018
5.–6. October 2018
Digital Design Days
2. October 2018
VIENNA DESIGN WEEK
29. September 2018
27. April 2018
26. April 2018
TAAALKS – Challenging Boundaries
21. April 2018
22. November 2017
Department of Visual Communication
University of Art and Design Linz
Moving Through Words
30. August 2016
Institute for the Performing Arts and Film
Zurich University of the Arts
Bekannte Unbekannte: Grafikdesign in Österreich (Known Unknowns: Graphic design in Austria), Triest Verlag, ISBN 978-3-03863-003-6
An envelope for arts, sciences, politics and us, SpringerWienNewYork, ISBN 978-3709109892
Type Directors Club Annual 36, Hermann Schmidt Mainz GmbH & Co., ISBN 978-3874398763
WEAVE Magazine, PAGE Verlag, Hamburg
desktop Magazine, Niche Media Pty Ltd, Melbourne
depict Magazine, Glyphic Visual Information Inc, Toronto
PROCESS — STUDIO FOR ART AND DESIGN OG
1160 Vienna, Austria
Martin Grödl, BSc MA
DI Moritz Resl, BSc MA
Commercial Register: FN442327g
Commercial Court Vienna
UID/VAT Number: ATU70246539
Hellobank BNP Paribas Austria AG
IBAN: AT14 1925 0653 1641 6201
Portrait photography: VIENNA DESIGN WEEK/Philip Podesser/Kollektiv Fischka
For more information, see our Imprint.
Currently, we’re looking for excellent coders with profound visual design skills or visual designers with solid experience in creative coding.
However, if you’re outstanding in either field, we’d love to hear from you, too.
Please note, we’re a tiny studio and cannot respond to all applications.